The Elements of Color: A Treatise on the Color System of by Johannes Itten

By Johannes Itten

Author Note: Translated via Ernst Van Hagen
File Note: PDF is searchable picture ocr, cover
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A helpful simplification and condensation of Johannes ltten's significant paintings. The artwork of colour, this ebook covers subjective feeling and aim colour rules intimately. It provides the major to figuring out colour in ltten's colour circle and colour contrasts.A helpful simplification and condensation of Johannes ltten's significant paintings. The artwork of colour, this booklet covers subjective feeling and aim colour rules intimately. It offers the most important to realizing colour in ltten's colour circle and colour contrasts.

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Additional resources for The Elements of Color: A Treatise on the Color System of Johannes Itten Based on His Book the Art of Color (1st Edition)

Example text

York, (1 Museum 879-1 940), Contrast of Extension Contrast of extension involves the relative areas of two or more color patches. and little, Colors It may be assembled should the contrast between is in areas of any two or more colors may be said of size. But we what quantitative proportion between inquire no one much or great and small. the colors used to be in brilliance gray and its extent. To estimate we must compare the background of medium must decide. Furthermore, in a and complicated in shape, and reduce them eye trustworthy is to painting simple are numerical enough, often fragmentary would be it difficult to proportions.

42 this tones are not assembled into main groupings An and vigor of composition effect of pictorial surface is achieved 15 Twelve steps twelve liancies hues of gray from white to black, and the of the color circle in matching bril- only with organization The necessity chief painter's planes. in of sustaining a flat over-all effect motive for is the planes. They constructing serve to frustrate and neutralize any undesired depth This control effects. of perspective results from the equating of tonal values to those of the planes.

4). entiated hues are required. is the extreme instance At least three clearly The light- differ- effect of reality, yellow/red/blue new assumes a large all pure, in this number re- un- contrast of entirely when the brilliances are varied same way, the quantitative proportions and blue may be modified. Variations expressive values (Fig. 7). In of yellow, the red, always tonic, are numberless, and so are the corresponding expres- The intensity of contrast of hue diminishes as the hues employed are removed from Whether black and white are included as elements of the palette will depend on subject matter and individual preference.

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