By Jeff Strong
Indicates musicians and residential recording lovers the right way to wake up and working with professional instruments, the major software program for pro song recording good points minibooks on recording fundamentals, computer and recording undefined, MIDI, enhancing, blending, learning, synchronization, and complicated seasoned instruments use deals details at the hot-selling Digi002, Digi001, and Mbox programs for domestic recording buffs presents extra whole info than different books, together with uncomplicated pointers on the recording technique Written by means of a certified musician who has been a traveling and studio drummer in addition to a legitimate and recording engineer
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Extra resources for Pro Tools All-in-One Desk Reference for Dummies
Example text
The high signal level covers up any noise present in the cord. Because there isn’t nearly as much current present in an instrument, you don’t want to use a speaker cord for your instrument; you need the instrument cable’s shield to keep the noise down. If you do use a speaker cord for your instrument, you may end up with some noise — a hiss, buzz, or even a radio broadcast coming out of your amp (or wherever you’ve plugged in your instrument). When you buy cords with TS plugs, first be sure to look at (or ask) what purpose the cord is designed for.
The tip is at the very end of the plug, the ring is the small middle section located between the two plastic dividers, and the sleeve is the rest of the cylindrical metal part of the plug. A TRS plug can be used a couple of ways: as a balanced cord or with a Y cord. Read on to find out what these italicized terms mean. Book I Chapter 2 Getting Connected: Setting Up Your Studio instrument cord (the one you use for your synthesizer or guitar) contains one wire and a shield — the wire is connected to the tip and the shield is connected to the sleeve — whereas a speaker cord contains two wires and no shield — one wire is connected to the tip and the other to the sleeve.
This icon highlights expert advice and ideas that can help you produce better recordings. This icon warns you ahead of time about instances when you could damage your equipment, your ears, or your song. Where to Go from Here This book is set up so that you can read it cover to cover (and progressively build on your knowledge) or jump around and read only those parts that interest you at the time. For instance, if you’re getting ready to record a mix of your song and need some ideas on how to use equalization (EQ), go to 6 Where to Go from Here Book VI, Chapter 3.