By David Spalding
Across the world popular chinese language artist and activist Ai Weiwei is certainly one of modern art's so much newsworthy figures, famous for either his groundbreaking paintings and his outspoken stance on human rights, which finally led to his debatable 2011 detainment. In an excellent new large-scale venture, he turns his recognition to Alcatraz—a position he can't stopover at simply because he isn't approved to go away China, yet that stands as a world-famous image of either incarceration and protest. This booklet showcases a tremendous exhibition of site-specific, multimedia installations and sculptures Ai Weiwei has created for the island, on view from the autumn of 2014 during the spring of 2015. that includes attractive images and thought-provoking textual content, At huge is the fundamental rfile of this amazing taking place from one in all today's such a lot celebrated artists.
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At Large: Ai Weiwei on Alcatraz
Across the world popular chinese language artist and activist Ai Weiwei is certainly one of modern art's so much newsworthy figures, famous for either his groundbreaking paintings and his outspoken stance on human rights, which eventually led to his debatable 2011 detainment. In an fantastic new large-scale undertaking, he turns his consciousness to Alcatraz—a position he can't stopover at simply because he's not approved to depart China, yet that stands as a world-famous image of either incarceration and protest.
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Extra resources for At Large: Ai Weiwei on Alcatraz
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Article 17 (1) Everyone has the right to own property alone as well as in association with others. (2) No one shall be arbitrarily deprived of his property. Article 18 Everyone has the right to freedom of thought, conscience and religion; this right includes freedom to change his religion or belief, and freedom, either alone or in community with others and in public or private, to manifest his religion or belief in teaching, practice, worship and observance. Article 19 Everyone has the right to freedom of opinion and expression; this right includes freedom to hold opinions without interference and to seek, receive and impart information and ideas through any media and regardless of frontiers.
20. 21. 22. 23. 24. 25. 26. 27. Ai Weiwei, Ai Weiwei’s Blog: Writings, Interviews, and Digital Rants, 2006–2009, ed. and trans. Lee Ambrozy (Cambridge, MA: MIT Press, 2011), 218. Original blog post, April 13, 2009. ” Smithsonian Magazine, September 2012. Ulrike Knöfel, “The Unrelenting Ai Weiwei: Show Evokes Danger and Urgency of Art,” Spiegel Online International, April 2, 2014. html For some of Ai Weiwei’s father’s critically acclaimed poetry in English translation, see Ai Qing, Selected Poems of Ai Qing, trans.
Opposite: Ai Weiwei, With Wind, 2014 (detail); installation: handmade kites (paper, silk, and bamboo); part of @Large: Ai Weiwei on Alcatraz, Alcatraz Island, 2014–2015 Ai Weiwei @Large on Alcatraz 43 Indeed, each attempt to show Ai Weiwei that he is puny and powerless before the mighty state has only crystallized the artist’s understanding of the necessity of speaking out. ”26 Being a public intellectual is neither parallel to nor separate from Ai Weiwei’s practice as an artist but inextricably intertwined.