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Permits the tracking of individual systems of book production in a hypothetical publishing house or workshop. Such a study yields more comprehensive information than an analysis of the miniatures alone. Frequently, manuscript quires were sent out of the workshop to independent miniaturists, itinerant masters were called in, or separately illuminated folios were taken from stock and inserted into gatherings of text. In early sixteenth-century Paris the activities of printers are easily traceable and appear to reflect traditional arrangements of the manuscript book trade, but nothing in Parisian documents of the fifteenth and sixteenth centuries allows us to make fine distinctions regarding the division of labor in a manuscript workshop.
From Epistles of Saint Paul. Circa 1528-1530. Vellum. ). Malibu, J. Paul Getty Museum Ms. MA. 64, fols. 4v, 5. French Renaissance Manuscripts Figure Ib. Recto of figure la. 35 36 Orth Figure 2a. Saint Paul. Illuminated by the Master of the Getty Epistles. From Epistles of Saint Paul. Circa 1528-1530. Vellum. ). Malibu, J. Paul Getty Museum Ms. 64, fols. 7v, 8. French Renaissance Manuscripts Figure 2b. Recto of figure 2a. 37 38 Orth Figure 3a. Rest on the Flight into Egypt. Illuminated by the Master of the Getty Epistles.
P. 220, fig. 28d. The use of Diirer's graphics in the miniatures of the Hours of Anne of Austria is discussed by F. O. Biittner in "Fortwirken in Ab- 45 Figure 9. Crucifixion. Illuminated by the Master of Jean de Mauleon. From Hours for the Use of Toulouse. 1524. Vellum. ). Baltimore, Walters Art Gallery W. 449, fol. 116. Photo: Walters Art Gallery. wandlung: Zur Verwendung von Vorlagen bei einigen Darstellungen von zwei Szenen aus der Kindheit Christi: Anbetung der Konige und Darbringung im Tempel," Relations artistiques entre les Pays-Bas et V Italic a la Renaissance: Etudes dediees a Suzanne Sulzberger (Brussels and Rome, 1980), pp.