By Dick Lehr
A riveting, true-life account of violence, racial injustice, and betrayal in the ranks of the Boston Police Department
The Boston law enforcement officials who brutally beat Michael Cox at a abandoned fence one icy evening in 1995 knew instantaneously they'd made a poor mistake. The badge and handgun below Cox's bloodied parka proved it: He used to be now not a black gang member yet a plainclothes officer who were chasing a similar homicide suspect they were.
While Cox used to be being crushed, Officer Kenny Conley chased down and captured the suspect. later on, as Cox waited for an apology from his division, federal prosecutors accused Conley of mendacity whilst he denied witnessing Cox's beating. either Cox and Conley grew up in Boston and had devoted their lives to serving the Boston Police division, but if they wanted its help, they have been abandoned.
A extraordinary paintings of investigative journalism, The Fence information the surprising tale of the assault, the tried cover-up through law enforcement officials beholden to a "blue wall of silence," and the sour repercussions at the lives of these concerned. It follows Cox's 1998 federal civil rights trial opposed to the Boston Police division and lines a various solid of characters, together with the sufferers, their households, the officials accused within the beating, urban officers, and the particular homicide suspect—all set opposed to the wealthy backdrop of Boston.
Like J. Anthony Lukas's 1985 Pulitzer Prize-winning vintage universal flooring, The Fence examines Boston's race relatives and the unwritten police code of overlaying up in the course of the intimate lens of these who skilled the crime without delay. via coming to understand the officials and criminals introduced jointly that evening on the fence—and the households whose lives have been replaced perpetually as a result—we experience how deeply the traces of prejudice run during this urban nonetheless haunted through tribalism and racial tension.
Boston journalist Dick Lehr has written a gritty, eye-catching true-crime tale with strange depth—a chilling exploration of what occurs whilst worry of admitting blunders combines with a police tradition of mendacity to undermine justice.
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The Fence: A Police Cover-up Along Boston's Racial Divide
A riveting, true-life account of violence, racial injustice, and betrayal in the ranks of the Boston Police Department
The Boston law enforcement officials who brutally beat Michael Cox at a abandoned fence one icy evening in 1995 knew at once they'd made a negative mistake. The badge and handgun below Cox's bloodied parka proved it: He was once no longer a black gang member yet a plainclothes officer who were chasing a similar homicide suspect they were.
While Cox used to be being overwhelmed, Officer Kenny Conley chased down and captured the suspect. later on, as Cox waited for an apology from his division, federal prosecutors accused Conley of mendacity whilst he denied witnessing Cox's beating. either Cox and Conley grew up in Boston and had devoted their lives to serving the Boston Police division, but if they wanted its aid, they have been abandoned.
A striking paintings of investigative journalism, The Fence information the surprising tale of the assault, the tried cover-up through cops beholden to a "blue wall of silence," and the sour repercussions at the lives of these concerned. It follows Cox's 1998 federal civil rights trial opposed to the Boston Police division and lines a various forged of characters, together with the sufferers, their households, the officials accused within the beating, urban officers, and the particular homicide suspect—all set opposed to the wealthy backdrop of Boston.
Like J. Anthony Lukas's 1985 Pulitzer Prize-winning vintage universal floor, The Fence examines Boston's race kinfolk and the unwritten police code of masking up throughout the intimate lens of these who skilled the crime at once. by means of coming to grasp the officials and criminals introduced jointly that evening on the fence—and the households whose lives have been replaced perpetually as a result—we experience how deeply the lines of prejudice run during this urban nonetheless haunted via tribalism and racial tension.
Boston journalist Dick Lehr has written a gritty, beautiful true-crime tale with strange depth—a chilling exploration of what occurs while worry of admitting blunders combines with a police tradition of mendacity to undermine justice.
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Extra info for The Fence: A Police Cover-up Along Boston's Racial Divide
Example text
22. 16. 90 31 general unease in the American marketplace; the poor remuneration paid to domestic producers of series; and American co-producers’ fears of unofficial strike action. 96 Furthermore, many home-produced series had failed to achieve network status in Britain. ” 97 Lew Grade was well placed to ride this savage downturn. ITC derived the bulk of income from the distribution of American product whilst its reciprocal arrangement with Jack Wrather guaranteed the American distribution of two ATV-produced series a year.
16. 90 31 general unease in the American marketplace; the poor remuneration paid to domestic producers of series; and American co-producers’ fears of unofficial strike action. 96 Furthermore, many home-produced series had failed to achieve network status in Britain. ” 97 Lew Grade was well placed to ride this savage downturn. ITC derived the bulk of income from the distribution of American product whilst its reciprocal arrangement with Jack Wrather guaranteed the American distribution of two ATV-produced series a year.
44 In addition the savvier second feature producers streamlined their production strategies. J. Fancey’s Fantur production company were working to a three-week schedule. , “Nettlefold’s third stage takes shape”, Kinematograph Weekly, v. 29. 17. 27 respectively. 32. 21 By the mid-1950s more than two thirds of the generic corpus of cofeatures, second features and programme fillers were produced by fifteen production companies. However, not all studios or producers aspired to, or we able to aspire to, such advancements as those discussed above.