By David J. Cast
The Ashgate examine significant other to Giorgio Vasari brings jointly the world's most popular specialists on Vasari in addition to up-and-coming students to supply, on the five hundredth anniversary of his beginning, a accomplished overview of the present nation of scholarship in this important-and nonetheless controversial-artist and author. The members study the existence and paintings of Vasari as an artist, architect, courtier, academician, and as a biographer of artists. in addition they discover his legacy, together with an research of the reception of his paintings during the last 5 centuries. one of the themes particularly addressed listed here are an evaluate of the present controversy as to how a lot of Vasari's 'Lives' was once really written through Vasari; and explorations of Vasari's relationships with, in addition to studies approximately, contemporaries, together with Cellini, Michelangelo and Giotto, between much less normal names. The geographic scope takes in not just Florence, the town commonly privileged in Italian Renaissance paintings background, but in addition much less more often than not studied geographical venues equivalent to Siena and Venice.
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Extra resources for The Ashgate Research Companion to Giorgio Vasari
Sample text
And what of Vasari now and the ever-growing interest in his writing, his place within the culture of the sixteenth century in Italy and his many, many works of painting and architecture? Even in the month that I write these words, he has appeared in two distinct and characteristically complex incidents, reflecting the ever-present place he occupies within our history of the Renaissance. In the first episode, more than 300 scholars, so the New York Times notes, have signed a petition to the mayor of Florence to stop a project to drill holes in one of the pictures he painted in the Palazzo Vecchio: this exercise is designed to see if traces can still be discerned underneath it of the celebrated project of Leonardo, the fresco of the Battle of Anghiari, believed by some to be there.
William E. Wallace, the Barbara Murphy Bryant Distinguished Professor of Art History at Washington University in St. Louis, is an internationally recognized authority on Michelangelo Buonarroti and his times. His books include the award-winning Michelangelo: The Complete Sculpture, Painting and Architecture (Beaux Arts, 1998); Michelangelo at San Lorenzo: The Genius as Entrepreneur (Cambridge University Press, 1994); Discovering Michelangelo (Rizzoli, 2012); and an acclaimed biography of the artist, Michelangelo: The Artist, the Man and his Times (Cambridge University Press, 2010).
Kitchen; 4. Corridor of Ceres; 5. Chapel; 6. Chamber of Abraham; 7. Chamber of Fortune). 5 Giorgio Vasari, Chamber of Fortune, 1548, Casa Vasari, Arezzo. 6 Cheney’s reconstruction of Giorgio Vasari’s Sala Fiorentina, 1559–62, Casa Vasari, Florence. 7 Giorgio Vasari, Sala Fiorentina, 1559–62, Casa Vasari, Florence. 8 Giorgio Vasari, Fine Arts (Endpiece), 1550, woodcut, from Le vite de’ più eccellenti pittori, scultori, e architetti (Florence: Torrentina, 1550). 9 Giorgio Vasari, Fine Arts (Frontispiece), 1567, woodcut, from Le vite de’ più eccellenti pittori, scultori, e architetti (Florence: Giunti, 1568).