By Philip J. Riley
Over 2 hundred Reproductions in complete colour! inside of are classic Poster artwork photos from all of the titles of the Ackerman records, common Filmscript and Filmonster Series' ! Billboards, 6-sheets, 3-sheets, One-sheets, inserts and foyer playing cards. From the main recognized of the vintage Monster Films.
The Hunchback of Notre Dame (1923)
The Phantom of the Opera 1925
London After dead night 1927
The guy Who Laughs 1928
Dracula 1931
Frankenstein 1931
The Mummy 1932
Murders within the Rue Morgue 1932
The outdated darkish residence 1932
The Invisable guy 1933
The Black Cat 1934
Bride of Frankenstein 1935
Werewolf of London 1935
The Raven 1935
Dracula's Daughter 1936
Son of Frankenstein 1939
The Mummy's Hand 1940
The Wolf guy 1941
Ghost of Frankenstein 1942
The Mummy's Tomb 1942
Son of Dracula 1942
Frankenstein Meets the Wolf guy 1943
House of Frankenstein 1944
The Mummy's Ghost 1944
The Mummy's Curse1944
House of Dracula 1945
Abbott and Costello Meet Frankenstein 1948
Creature from the Black Lagoon 1954
This Island Earth 1954
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Example text
CONTROLLING EXPOSURE HOW EXPOSURE AFFECTS YOUR IMAGES When you take a photograph, the exposure isn’t uniformly distributed over the sensor’s surface—unless you are photographing a subject that is absolutely uniform in tone. Highlights (brighter areas) in the scene reflect the most light, and the areas of the sensor onto which they are focused are exposed a great deal. Darker areas, such as shadows, reflect much less light, so the areas of the sensor onto which they are focused receive much less exposure.
SCENES WITH HIGH CONTRAST Many scenes, especially those with brightly lit highlights and deep shadows, have a brightness range that cannot be completely recorded by an image sensor. When confronted with such scenes, you have to decide whether the highlight or shadow area is most important, then set the exposure so that area is shown the way you want it in the final picture. In high contrast situations such as these, use spot metering or move close enough so the most important area fills the screen.
Exposure compensation can be set to values between –5 EV (underexposure) and +5 EV (overexposure) in increments of 1/3 stops. COM HOW TO OVERRIDE AUTOMATIC EXPOSURE Exposure compensation icon. button reset (page 17). When exposure compensation is other than 0, the exposure compensation icon is displayed on the control panel and in the viewfinder. Also, the “0” in the center of the electronic analog exposure display (page 30) blinks. To see the current setting, check the electronic analog exposure display in the viewfinder, or hold down the exposure compensation button to display it on the control panel.