Mammoth Encyclopedia of Science Fiction

This encyclopedia is the main updated, concise, transparent and reasonable advisor to all features of technological know-how fiction, from its historical past to widely used subject matters and units, from authors (established and new) to movies. technology fiction has developed into some of the most well known, state of the art and interesting fiction geners, with a proliferation of recent and vintage authors, subject matters and ideas, videos, television sequence and awards. prepared in an A-Z layout, and that includes a complete index and cross-referencing approach, The sizeable Encyclopedia of technology Fiction can also be the main obtainable and straightforward to exploit encyclopedia of its type at present on hand.

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ASTOUNDING SCIENCE FICTION See ANALOG ATWOOD, MARGARET ( 1 9 3 9 - ) , Canada A Canadian novelist of literary mainstream and slipstream fiction whose most popular novel, The Handmaid's Tale (1985), is of genre interest. It is a DYSTOPIC novel of the NEAR FUTURE in which, due to a sudden decrease in the fertility of women, the government has taken control of the conception process. The heroine, Offred, has been lined up to bear a child; the novel is the story of her flight and eventual escape, a salvation of sorts, from the authorities.

If machines were going to have this much fun, then human beings wanted a piece of the action. It was not long before SF authors were portraying humanity downloading itself into its machines so to that it could cohabit with the new breed of electronic entities. Many writers saw this as giving their characters a form of immortality, a haven to retreat to instead of old-fashioned death. In this way they could later communicate with the living, or, alternatively, become something even greater, 'beyond human'.

ANDERSON, KEVIN J. ( 1 9 6 2 - ) , USA Kevin J. Anderson is an author who seems to work best in collaboration with other authors, 01 within the previously defined boundaries of a SHARED WORLD setting. This is not meant to play down his skill as a writer of genre fiction but to highlight his own particular strengths. The latter point is best typified by Anderson's work for the STAR WARS and X-FILES franchises, within which he has made his name with novels such as Darksaber (1995) and Antibodies (1997).

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