Death and the Flower by Koji Suzuki

By Koji Suzuki

Death and the Flower is a set of six brief tales headquartered at the subject matters of relatives and peril. The name is derived from a Keith Jarrett album of a similar identify.

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After the long fall, we land dog pile at the edge of a flat clearing, mere feet from 38 SHARK HUNTING IN PARADISE GARDEN taking a potentially fatal drop. The darkness prevents me from calculating how far we fell, but hiking or scaling back up the cliff is probably impossible. I rub my head. Blood dampens my hairline, but the cut from the whiskey bottle doesn’t feel serious. Head wounds just bleed a lot. ” Ira screams, conscious again but apparently unaware that we just fell off a cliff. Wayne appears sorrier and more decrepit than ever.

52 SHARK HUNTING IN PARADISE GARDEN Tree of Knowledge: But why should you leave so soon? We have games, so many games to play. So many games to derange your perceptions. Would anyone care to sample the sweets growing in my skull? I have savage membrane lollipops, gumdrop leviathans, everything you ever wanted. When you have tasted them, then maybe you will find the path to God or (snickers) Adam and Eve. Me: How can we be certain that anything you say is true? Tree of Knowledge: By realizing that nothing is certain or true in Paradise Garden.

So glad I need a lecture from Mr. Right, is that it? You’ve got no say in what I think. I’ve seen you stare out at us so smug and satisfied, thinking you’re so magnificent. Let me tell you, you’re not, and you smell like swamp ass when you’re a toad. It’s none of your business if I think Wayne’s an idiot. ” Wayne is sensitive about his powers. Ira knows this, but she’s drunk. Wayne lowers his head to the cave floor and closes his eyes. He weeps to himself. Wayne’s spells might be worthless, but they’re really no worse than the epic fantasy series he used to write.

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