Collective Intelligence in Design (Architectural Design by Christopher Hight, Chris Perry

By Christopher Hight, Chris Perry

Exploring how today’s so much compelling structure is rising from new types of collaborative perform, this name of advert engages 3 foremost phenomena: architecture’s dating with electronic and telecommunication know-how; the media; and economies of globalisation. The articles within the factor discover the connection among those readings and view, for the 1st time, the results of those phenomena upon kinds of architectural invention and creation. whereas a lot awareness has been concentrated upon the impression of electronic media on architectural shape and process, little has tested its a long way broader implications for different types of architectural perform. but, as with modernism and the professionalization of structure on the finish of the nineteenth century and the increase of architectural businesses within the mid-20th century, the way forward for architectural layout will unavoidably depend on reconfigurations of architectural authorship.

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Extra resources for Collective Intelligence in Design (Architectural Design September October 2006 Vol. 76 No. 5)

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It is structured on flexibility, dynamics and the relational architecture of a market system. The current Alpha version includes online graphic tools, a distributed rendering engine to render images, an exchange-ownership system, and external data access through remote sensors. OPENSTUDIO enables members to create, collect and sell digital art or data with the content being entirely member generated. 42 As PLW designer Burak Arikan explains: ‘The experimental ownership and authorship system lets people explore different scenarios.

Physical space and projects thus become a site for the production of collective intelligence both as a design process and in the use of the end product. Ann Hamilton with Small Design Firm and EAR Studio, Facade Ecology, 2003–06 Animation stills from the schematic proposal for a building membrane installation at the University of Minnesota’s Molecular and Cellular Biology Building. Ben Rubin and Ann Hamilton generated this concept animation, which articulates the progression of light as it circulates through the building skin of the research facility.

The wheel’s property of rolling emerges from the system, created by the specific arrangement of the materials used to make the wheel. See Benjamin Libet, Mind Time: The Temporal Factor in Consciousness, MIT Press (Cambridge, MA), 2003. Text © 2006 John Wiley & Sons Ltd. ca; pp 38, 42 & 44 © CEB Reas; pp 40-41 & 43 © Physical Language Workshop, MIT Media Lab 45 Design Research on Responsive Display Prototypes: Integrating Sensing, Information and Computation Technologies Small Design Firm, working with Ben Rubin of EAR Studio and artist Ann Hamilton, augments physical architectures with responsive and intelligent electronic interfaces.

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