By Arturo Graf
"The satan holds the strings which flow us!" (Charles Baudelaire, The plants of Evil, 1857.) devil, Beelzebub, Lucifer... the satan has many names and faces, all of that have continually served artists as a resource of concept. usually commissioned through non secular leaders as photos of worry or veneration, reckoning on the society, representations of the underworld served to teach believers and lead them alongside the trail of righteousness. For different artists, equivalent to Hieronymus Bosch, they supplied a method of denouncing the ethical decrepitude of one's contemporaries. within the comparable means, literature facing the satan has lengthy provided suggestion to artists wishing to exorcise evil via pictures, particularly the works of Dante and Goethe. within the nineteenth century, romanticism, attracted through the mysterious and expressive strength of the topic, persisted to glorify the malevolent. Auguste Rodin's The Gates of Hell, the enormous, tormented paintings of an entire life, completely illustrates this ardour for evil, but additionally finds the cause of this fascination. certainly, what will be extra pleasing for a guy than to check his mastery by way of evoking the great thing about the gruesome and the diabolic?
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Additional info for Art of the Devil (Temporis Collection)
If a person believed to be dead made the slightest movement, this was at once thought to be an illusion of the Devil, and burial was given in all haste to the dead who wished to be alive. This belief persisted well into the Renaissance, and even in the eighteenth century it had not entirely disappeared. The Devil could, at will, assume honourable and pleasing forms, but none the less he did not cease to be a devil; though rendered invisible, his devilishness did not cease to emanate from his whole person, as an evil influence.
37 It is said, forsooth, that he can do only so much as God permits him to do; but we must admit that God permits much to him, and that, whatever he performs, he performs by virtue of a force that resides within himself and is connatural to him. Whatever there is of evil in the world comes, in the beginning, from him; and the preponderance of evil renders gigantic our own conception of his power. And this power of his, which was to have been weakened by the work of redemption, has not been weakened.
Dieric Bouts the Elder, Last Judgment, Hell Panel (detail), c. 1468. 5 cm. Palais des Beaux-Arts, Lille, France.